One moment of weakness can wreck our great love stories

INT. TRAVIS'S ROOM -- MORNING 

 (mid scene)

MEGAN
What am I to you?
TRAVIS
Do you really want to know?  Cause I'm pretty sure that changes on fairly consistent basis. 
MEGAN
And what I am right this very second?
TRAVIS
You're the cautionary tale.
MEGAN
I don't understand.
TRAVIS
Maybe I'm just better at writing than I am at speaking
(pause, softly)
You should go.
MEGAN
You can't be serious. I come back, and last night.  Last night was amazing, I thought-
TRAVIS
Last night was a lot of things, but most importantly it was a terrible lapse in judgment.  I thought I wanted this, but I don't.
MEGAN
I don't get you.
TRAVIS
I'm painfully aware of that.  Please, just do both of us a favor, and walk out that door without a scene.
Megan looks upset, and quickly grabs her things to leave.  Travis watches her walk out the door to his room.
INT. GRANDFATHER'S HOUSE -- MOMENTS LATER
Megan walks passed the living room where Travis's Grandfather is pulling through records, takes one out. 
GRANDFATHER
Kalliope, I found that record we were talking about.
Megan stops dead in her tracks. 
GRANDFATHER
Is Travis up?  If he isn't we probably shouldn't wake him with-
He notices Megan. 
GRANDFATHER
Oh, Megan.  It's lovely to see you again. 
Megan remains silent.  She can't bring herself to say anything to him.  She just slowly walks out of the house.
INT. GRANDFATHER'S HOUSE -- MOMENTS LATER
Travis comes running down the stairs in a panic.
GRANDFATHER
I assume threes a story her.
TRAVIS
Isn't there always?
GRANDFATHER
Let's hear.
TRAVIS
I would love to, but it's not done yet.  Now, if you will excuse me, I have to stop screwing up and go get the girl I care about. 
INT. KALLIOPE'S HALLWAY -- LATER
Travis stands outside Kalliope's door hesitating whether to knock.  He goes to knock, stops himself, and sits down on the steps.  Kalliope opens her door.
KALLIOPE
Oh good, you're alive.
TRAVIS
I'm sorry.
KALLIOPE
Mild curiosity, how many times am I going to be hearing that?
TRAVIS
Um, quite a few.
KALLIOPE
I don't like being blown off Travis.
TRAVIS
I'm sorry.
KALLIOPE
That's two.
TRAVIS
If you are going to keep a running total, this is going to get embarrassing.
Kalliope lets out a small laugh.  There is a small, awkward beat.  Travis is trying to figure out the words to say.
KALLIOPE
If you are trying to formulate a big romantic speech just because you stood me up, save your creativity.  All I'm looking for is, "I'm sorry Kalliope" you don't even have to lie and tack on, "it won't happen again", you can just tell me you will try not et let it happen again.  You aren't a jerk Travis, I'm sure you had a good reason.
TRAVIS
I had a reason.
KALLIOPE
Was it a good reason?
Travis looks at her speechless for a moment. 
TRAVIS
(softly)
Megan came back.
KALLIOPE
Oh.
TRAVIS
I got rid of her. 
KALLIOPE
And why does my gut keep telling me it isn't that simple.
Travis doesn't say anything. 
KALLIOPE
The great Travis Dillinger, with nothing to say.  I'd be flattered if this wasn't crushing me.
TRAVIS
I'm sorry.  I really, really am. 
KALLIOPE
Me too Travis.  I'm sorry for a whole heck of a lot of things at this moment, chief among them for letting myself fall under your spell.
TRAVIS
Kalliope.
Kalliope walks back into her apartment.
KALLIOPE
Save it for your next book Travis.  I know I'll just be a footnote in it.
Kalliope shuts the door and Travis just sits on the hallway steps with his head in his hands. 

I need

to figure out how to do the whole expandable post thing so this looks better 

Variations On A Theme

So I have a self-imposed deadline on Variations on a Theme (anything you see in here with the character of Travis...it's from that) at the end of the month. So I thought I'd blog a little bit about it, on a grander scale from the random first draft scenes I've tossed up on here. Basically we follow Travis, 30, back from his 6 year escape to Europe. He gave up his whole life and very promising writing career for a pretty set of blue eyes, and now he's back. The movie details his slip ups and triumphs on getting his life, his career, and his relationships back in order. Along the way he meets Kalliope who, despite despite his resistance, proves to be something more than just a fun distraction....


Wow I'm really going to have to work on rephrasing all that, because it comes off kinda lame, but thank God I'm better at dialogue and setting a scene than I am writing about what things are about in a general summation form.  My second screenplay with co-writer Matt Donofree, I feel this is the one that will get us somewhere, and I feel it is a really strong group of characters, and a nice little story. I'm approx 80 pages in, just have to tackle the last act, and I'm pretty in the zone right now, so...hopefully it'll be done quickly. 

Since I ditched prose (ah my first love) to work on screenplays (what start as an awkward affair) I have been slowly and steadily getting my screen legs on. This script lets me burst out quick blasts of my narrative style which I miss, but I pair it with my dialogue, and fantasy elements. Also, plot (my arch-enemy in screen-plays) is much stronger than Adultalescence (the first screenplay) with a clear story (multiple stories coming together) paced evenly, all driving to the point where ....well why spoil an ending right?